Operate Digital Cinema Cameras, Lenses and Monitors. Set up Cinematic Lighting. Create and apply LUTs for RAW workflow. Colour Grading. Operate Steadicam and Gimbals. Offline and Online editing. Use Adobe Premiere. Output DCP format. Set up Green Screen shots.
Operate DSLR video camera and lenses, Operate video camera equipment, Operate Sound recording equipment, Operate lighting equipment, Edit video assets to brief and output to delivery formats for web, social media, TV and cinema formats. Use Adobe Premiere Pro, After effects.
Operate Editing Software (Adobe Premiere), File managment, Using Proxies, Logging footage, Syncing audio, Music Search, Music and audio editing, sound design, colour grading, outputing for web, social media, broadcast and cinema formats, monitoring loudness to OP-59 standards for Australian TV commercials.
Operate a small Drone within standard flight rules to capture Aerial images and video
Operate DSLR cameras, lenses and accessories, Operate studio flashes and equipment, Edit and re-touch images using Adobe Photoshop, Lightroom, Bridge
Setup cameras and lighting for mutli-camera livestream session. Setup wireless sound capture for speakers. Use a switching board to manage camera views. Setup wifi network remotely. Connect to social media live streaming platforms. Connect to ZOOM. Create social media event for livestream. Create ticketed online events. Manage and deliver user payments.
This allows me to operated a drone for business purposes within Standard Operating Rules
This allows me to SCUBA dive and operate underwater equipment.
Working with Children and Minors
Work with people with Disability. NDIS registered service provider.
A Storyteller Forged by Science, Retail & Education
My professional ethic can be best characterised as calm, pragmatic and inclusive. I’ve worked many years in the hospitality and retail industries while gaining my science degrees. Six years as a Marine Education Manager at Underwater World taught me many things about how different people see the world and how best to engage an audience, but by far the most valuable thing I’ve taken away from serving coffee, studying fish on the Great Barrier Reef, teaching school students about sharks, mopping up vomit in pubs, trying to manage and negotiate group university assignments on ZOOM, trying to rescue camera gear from sudden rain storms, is this…Life and people are chaotic, but the stories we all fashion for ourselves out of this chaos are suprisingly similar. I’ve found the key to happiness is to make sure MY story explains or accepts as much of that chaos as possible and so the happiest you’ll find me is when I’m waist deep in chaos and trying to order that chaos into an honest and real story.
2024 “Sunny Coast Showdown” – DOP/Editor
2022 “Project Double Vision” – DOP/Editor
2022 “Flight from Cambodia” – DOP/Editor/Producer
2021 “Beyond Episode 2 – Dignity of Risk” – DOP/Editor
2017 “Refraction – Behind the Scenes” – DOP/Editor
2014 “Tijuana Cartel in the Desert” – DOP/Editor
2024 “Our Film Making Journey”
2023 “The Game We Play” – DOP/editor/trailer
2022 “Edged” – DOP/Editor/EPK/Trailer/Poster Design
2022 “Changing Lives” – DOP/Editor/EPK/Trailer/Poster Design
2020 “Pride Goeth” – Writer/Director/Animator
2020 “The Tipping Point” – Writer/Director/DOP/editor
2017 “Mountain Brothers” – DOP/Editor/Poster Design
2016 “Refraction” – EPK Unit, Trailer, Set & Locations Photographer, Poster Design and Art
2007 “Living & Dying at Hotel Broadway” – Set Photographer